On BTTB, Sakamoto also plays with a variety of themes. Mathew Passion" and medieval-esque Gregorian chants. 2," were born out of his fascination with Bach's "St. Sakamoto's two choral-inspired pieces, "Choral No. For instance, on BTTB, Sakamoto delves into avant-garde piano techniques, playing a prepared piano on the gently circular "Prelude" and "Uetax." With his song "Bachata," Sakamoto interprets folkloric music from the Dominican Republic. Instead of settling on one or two styles, the renowned pianist and composer experimented with several. At the time that Sakamoto began composing for BTTB, he thought that a CD of piano music felt right, though he was not sure of what kind of styles he wanted to play around with. In a departure from his more electronically amplified works, composer and pianist Ryuichi Sakamoto's BTTB stands as a sometimes contemplative, a periodically nostalgic, and an often new age-sounding acoustic piano album.
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